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ONE:[Pg 38]AHMEDABAD TWO:
Maecenas suscipit imperdiet nisi ac hendrerit. Nam congue felis ac massa rutrum pulvinar. Donec sodales eros sed efficitur mattis. Integer tincidunt, felis a placerat maximus, eros nulla dapibus dui, at facilisis enim odio at velit. Aenean dictum eleifend mi sit amet luctus.
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ONE:A man by the roadside was mixing mud with[Pg 265] chopped straw; then when his mortar was of the right consistency he began to build the walls of his house between the four corner posts, with no tools but his hands. A woman and child helped him, patting the concrete with their hands until it began to look almost smooth.Immediately on entering we were in the maze of vaults, sanctuaries, great halls and arcades, where stall-keepers sell their goods, priests keep school, and flower-sellers wander. Statues, repeated in long rows, lead up to temples all alike, of a bewildering uniformity of architecture and identical decoration. TWO:Near a small station oxen were filing slowly past. On their heads were hoops hung with bells, and little ornaments at the tips of their horns dangled with quick flashes of light.
Donec sodales eros sed efficitur mattis. Integer tincidunt, felis a placerat maximus, eros nulla dapibus dui, at facilisis enim odio at velit. Aenean dictum eleifend mi sit amet luctus. Maecenas suscipit imperdiet nisi ac hendrerit. congue felis ac massa rutrum pulvinar.
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ONE: TWO:
Donec sodales eros sed efficitur mattis. Integer tincidunt, felis a placerat maximus, eros nulla dapibus dui, at facilisis enim odio at velit. Aenean dictum eleifend mi sit amet luctus. Maecenas suscipit imperdiet nisi ac hendrerit. congue felis ac massa rutrum pulvinar.
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ONE:On entering this portal, lo, a miraculous vision! At the end of an avenue of dark cypress trees stands the tomb of Mumtaj-Mahal, a dream in marble, its whiteness, crowned by five cupolas that might be pearls, mirrored in a pool edged with pink stone and borders of flowers. TWO:
Integer suscipit imperdiet nisi ac hendrerit. Nam congue felis ac massa rutrum pulvinar. Donec sodales eros sed efficitur mattis. Maecenas tincidunt, felis a placerat maximus, eros nulla dapibus dui, at facilisis enim odio at velit. Aenean dictum eleifend mi sit amet luctus.
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ONE: TWO:And on the man's replying that he would try, the sultan, who chose that the monument should have no rival, caused the architect to be thrown into the Jumna on the spot, where he was dashed to pieces at the foot of his masterpiece, which remains unique.The south-western side of the great rock of Gwalior is hewn into temples sheltering gigantic statues of Tirthankar; there are the usual bas-reliefs all over the walls, idols squatting under canopies and pagodas, slender columns supporting arches, standing out in contrast with the ochre-coloured stone. Other temples, vast halls as at Elloraa vale of pagodas, "the happy valley"have all disappeared under the picks of engineers, to make a dusty road to the new town of bungalows all adobe and straw thatch.
Maecenas suscipit imperdiet nisi ac hendrerit. Nam congue felis ac massa rutrum pulvinar. Donec sodales eros sed efficitur mattis. Integer tincidunt, felis a placerat maximus, eros nulla dapibus dui, at facilisis enim odio at velit. Aenean dictum eleifend mi sit amet luctus.
